Welcome to Amaranthine Trading LLC
Manufacturer / Exporter / Supplier Of Arri Master Grips, Easyrig Minimax, ARRI TRINITY, Easyrig Cinema Flex Vest, Diva-Lite LED 20, Arri Alexa Mini Camera
Welcome to Amaranthine Trading LLC
Manufacturer / Exporter / Supplier Of Arri Master Grips, Easyrig Minimax, ARRI TRINITY, Easyrig Cinema Flex Vest, Diva-Lite LED 20, Arri Alexa Mini Camera

ARRI Master Grips combine effective camera stabilization with comprehensive lens and camera control. Lightweight and built to ARRI’s unsurpassed quality standards, the Master Grips are aimed at ALEXA, AMIRA and third-party camera users who want flexible and responsive fingertip control while shooting handheld.

The new spring system we developed has significantly resulted in a smoother running of the support rope : Refers to the beginning and end of the rope force. This is because we constructed a conical wheel that unrolls the rope. We have also reduced the friction through the entire support process in the new Minimax resulting in a much more fluid feel and operation.The new Easyrig Minimax also has an overload protection system we have developed. If you over load the spring system a Tripping Mechansim will operate. Overload Protection is our own idea and development. It means the spring will not be broken if you use too heavy a camera.Another difference from our previous model Easyrig Mini is the pivoting upper arm which is now similar to big brother Easyrig 3 Cinema.The Easyrig Minimax has been created specifically with the latest generation of light weight cameras in mind and offers the same innovative features as its larger brother – The Easyrig.



TRINITY is the first hybrid camera stabilizer that combines classic mechanical stabilization with advanced active electronic stabilization, provided via 32 bit ARM-based gimbal technology. This combination results in five axes of control and enables uniquely fluid, wide-ranging and precisely controlled movements for unrestricted shot-making and total creative freedom. New angles for the operator and new storytelling options for the director and DP are opened up by TRINITY. By inverting the post the camera can be moved from low mode to high mode during a shot; using the joystick-controlled, fully-stabilized tilt axis to look up or down during this motion is also possible, so a low angle can smoothly transition into an over-the-shoulder shot. By holding the post at 45 degrees and twisting it left or right, the camera can even look around corners, whether in low or high mode. Additional stabilization in the roll axis permits the use of telephoto lenses.

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