Bangalore, Karnataka, India
Our Products
Lets treat our jewellery with care. Protect and preserve your valuables with this handcrafted wooden box. Your precious jewellery deserves an exquisite box which is traditional in style and perfectly safe for your valuables. This wooden jewellery box is ideal for organizing your jewellery collection. The classical wooden jewellery storage case has been built from real wood and polished gold hardware and has a curved, traditional design, rich brown finish. A stylish way to keep your jewellery organized and secure.
This product is hand embroidered and has a quilted fabric all around it which is a necessary element of Kantha artwork. Since it is a handmade Utility box, it has a certain nostalgic grace to it and makes it a perfect gift item for a bride-to-be. The outside is done with good quality Kantha stitch embroidered fabric. You can stock all your precious bangles in these gorgeous bangle boxes and much more as it serves a purpose and at the same time is a unique piece of art which every receiver is bound to cherish. This product is will establish its roots in your heart.
Sabai Grass Jewellery Box is one of the perfect examples of Indian Basketry. The Sabai Grass Jewellery Box is hand weaved using Natural grass called Sabai and palm tree leaves. The Sabai grass handicraft is more than just simple weaves but also an elegant one. The traditional craft has a way of creating products which can be used for all sorts of storage and creative uses. The products of Sabai grass can just be another ostentatious piece you cant resist flaunting.
Sabai Grass Jewellery Box can be used for Wedding Favor Boxes, Gift Boxes and many other ways you want to use. Its sustainability makes it not only a good choice but a beautiful one.
The craft known by the French term papier-mache which literally means paper pulp, is locally known as kar-e-kalamkari or pen-case work, after its traditional Iranian name. Papier-mache was practiced as a form of decoration on the wooden wall panels and wooden furniture, and was eventually adapted to paper moulds as well. Trays, jewellery boxes, and book covers were made for royal patrons and members of their courts. The two major processes involved in the craft are sakthsazi or mould making and naqqashi or mould painting. The naqqash renders the surface in intricate floral patterns or highly stylized scenes of hunts and battles. The Mughal period saw the art extending to palanquins, ceilings, bedsteads, doors and windows.
This craft form originated around 500 years ago in the Middle Eastern regions of Persia and Turkey. Back then, it was mostly used for manufacturing vases but its elegance and robustness has resulted in its application in making boxes, ornaments, trays, paintings and various other showpiece items. Bidriware gets its name from Bidar, a small town in North Karnataka which is the hub of manufacturing this unique metal ware, characterized by silver inlay patterns on black metallic surfaces. The skilled artisans from the southern regions of India beautifully engrave patterns of various flowers, leaves and human figures to leave an indelible mark of their work across the world through these black metallic canvases.
Walnut wood carving is an ornamental craft process that is virtually unique to Kashmir due to the exclusive availability of walnut trees (Junglas regia), locally known as dun or akhrot. The naqqash or the master carver first etches the basic pattern onto the wood and then removes the unwanted areas with the help of chisels and a wooden mallet. As a result, the design emerges from the lustrous walnut wood as an embossed surface.
As is the story with most of the crafts, Zari or Zardozi embroidery also got its name from a village by the same name in ancient Persia. Zari has always been associated with the affluent sections of the society in India and globally as well because it requires weaving thin threads of gold and silver onto fine fabrics of silk. The result of this intricate piece of designing is so exquisite that it completely justifies its monetary worth. Mughal Emperor Akbar can be credited for bringing a revolution in the emergence of Zari as one of the most sought after crafts and for developing areas around Agra and Lucknow as major clusters for this craft. As the impact of Royal patronage waned in our society, the gold and silver were replaced with gold or silver-plated polyester and cotton yarns or slightly costlier copper threads. Lucknow, owing to its Nawabi heritage, still continues to be the biggest market for Zari and Zardozi embroidery.
Mother of Pearl has been used for multiple decorative purposes since long periods of time. The pieces of shell are smoothened and arranged in ornamental fashion on wood carvings or inlaid in brass objects. It gives both an embossed and a glossy look on finishing. Most products are fashioned in a simple and elegant fashion for mainly room dcor and kitchen accessories such as crockery, coasters and bathroom dispensers etc.
Bone and Horn carving has its roots in ivory carving and since the ban on commercial trading of ivory started in India, a shift of favor towards bone-crafted products has increased. While different types of bones and horns are chosen as per the desired carving usually the bones and horns from buffalo or bullock carcasses is preferred. Detail-oriented skills are required for the minute and intricate carvings. These products range from accessories to home decor to fashion such as cutlery, bowls, boxes, belts, drinking glasses, walking sticks etc.
The coconut tree is well-known for its multi-utility nature with all of its components used for food, oil, timber, rope, fuel and handicrafts. Even the hard coconut shells are utilized, being carved into beautiful patterns and objects which can be used in everyday life such as bowls, boxes, wall clocks, toys, wind chimes and even accessories such as pendants or earrings. Not only is it decorative but also functional in all aspects.
