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the extremely quiet self-noise of the tlm 103 is regarded a milestone until today. in technical terms: a noise level of just 7 db(a). in other words: the tlm 103 is so low noise that even the faintest nuances become audible. thus, it is perfectly suited for vocals and audio drama productions in high definition as well as for demanding samples production and instrumental recordings.
once the small brother now a modern classic
we equipped the tlm 103 with a very broad presence boost in the area of 6 to 15 kilohertz which helps the voice to cut through the mix. the tlm 103 offers everything demanding users could wish for: nuanced vocals with precise reproduction of sibilants and excellent speech intelligibility. the sound character of the tlm 103 cannot deny its origin: its role model in the development process was our u 87, which is regarded the reference microphone in studios around the globe. after almost two decades, the tlm 103 has become a modern classic itself which sets new standards with its characteristic presence and its extremely low self-noise.
tlm: clear sound, powerful bass
our tlm series works with a transformerless output stage. this means: a clean and direct sound, very close to the acoustic source, and a powerful bass transmission all the way down to the lowest frequencies. its transformerless output stage also makes the microphone resistant to electromagnetic fields and minimizes transmission losses.
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The extremely quiet self-noise of the TLM 103 is regarded a milestone until today. In technical terms: a noise level of just 7 dB(A). In other words: the TLM 103 is so low noise that even the faintest nuances become audible. Thus, it is perfectly suited for vocals and audio drama productions in high definition as well as for demanding samples production and instrumental recordings.
Once the Small Brother Now a Modern ClassicWe equipped the TLM 103 with a very broad presence boost in the area of 6 to 15 kilohertz which helps the voice to cut through the mix. The TLM 103 offers everything demanding users could wish for: nuanced vocals with precise reproduction of sibilants and excellent speech intelligibility. The sound character of the TLM 103 cannot deny its origin: Its role model in the development process was our U 87, which is regarded the reference microphone in studios around the globe. After almost two decades, the TLM 103 has become a modern classic itself which sets new standards with its characteristic presence and its extremely low self-noise.
TLM: Clear Sound, Powerful BassOur TLM series works with a transformerless output stage. This means: a clean and direct sound, very close to the acoustic source, and a powerful bass transmission all the way down to the lowest frequencies. Its transformerless output stage also makes the microphone resistant to electromagnetic fields and minimizes transmission losses.
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Classic proportions combined with attractive styling and fresh ideas the TLM 107 perfectly embodies the Neumann philosophy: Innovation based on tradition. Far from evoking vintage or retro nostalgia, the standard-setting TLM 107 represents an impressive, modern studio microphone. Its extensive performance spectrum and high-precision reproduction, very close to the original, make the TLM 107 universally applicable, opening up the widest freedom in mixing and post-production.
Neumann EngineeringThe newly developed sound transducer, which was designed especially for this microphone, is impressive with its outstanding impulse fidelity. The great consistency of the five polar patterns, omnidirectional, cardioid and figure-8, with the intermediate patterns wide-angle cardioid and hypercardioid, is also unusual for a large-diaphragm capsule. The TLM 107 provides optimal sound not only for the cardioid setting; it also ensures maximum precision over the entire frequency range for all of the other directional characteristics. The sound always remains balanced, with an almost linear reproduction up to 8 kHz, and a slight boost in the highest frequencies that lends presence and freshness to the voice. Here particular attention has been paid to the natural reproduction of speech sounds, especially the critical s sound. The grille is acoustically optimized for low sensitivity to pop sounds. In addition, the sound transducer is edge-terminated, with both diaphragms at ground voltage. Specifically, this ensures considerably reduced sensitivity to dust and humidity.
No-Compromise Sound DesignTransformerless circuitry permits a high degree of linearity and a large dynamic range. The self-noise of only 10 dB-A is practically inaudible, while at the same time, the TLM 107 features high level handling. The maximum sound pressure level of 141 dB SPL can be increased to 153 dB SPL via pre-attenuation (Pad). This enables the TLM 107 to transmit the sound of even the loudest instruments without distortion. The Low Cut settings of Linear, 40 Hz, and 100 Hz are precisely adapted to practical recording situations. Without side effects, the 40 Hz setting cuts interference noise below the range of fundamental tones (where 41 Hz is the frequency of the double bass open E string), while the 100 Hz setting is optimized for speech and vocals (where 100 Hz corresponds to the lowest notes of a baritone).
Innovative Operating ConceptFor the first time, all of the microphone switch functions are controlled intuitively via a navigation switch. A visual highlight is the illuminated pattern display in the chrome ring, while the Pad and Low Cut status is displayed by LEDs to the left and right of the switch. In order not to distract singers, the switch and display are located on the back of the microphone. After ten seconds, the displays are turned off automatically.
FEATURES:These are just some of the most common applications. We recommend additional experimentation to gain maximum use from this microphone.
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advanced build quality and engineering, 40mm drivers with rare earth magnets, tuned for enhanced low-frequency performance, circumaural design contours around the ears, excellent sound isolation in loud environments, convenient single-side cable exit,
available at priyanka musical house with one year warranty
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KRK Systems V Series 6 nearfield studio monitors are specifically designed for audio production applications where accurate reproduction is critical. KRK worked with hundreds of pro engineers/producers/mixers to develop these groundbreaking monitors.
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Delivery Time : 7DAY
16-input Audio Interface for Mac, Windows and iPad
The TASCAMUS-16x08captures 16 mic and line inputs to your computer with clear sound quality and advanced features to manage big sessions. Eight Ultra-HDDA microphone preamps deliver the cleanest and quietest operation in their class, while delivering up to 56dB of gain. An additional eight line inputs are provided, two of them switchable to instrument level for direct guitar or bass recording. Eight balanced line outputs are also available, two with a level control on the front panel for monitoring.
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the gt-1 delivers pro-level tones everywhere you play. Driven by the powerful boss gt-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music.
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Delivery Time : 7DAY
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Delivery Time : 3DAY
We are the main supplier of this product.
JH-1 JACKHAMMER For over 50 years, Marshall has been at the forefront of genre defining overdrive and distortion tone. The Jackhammer captures all that classic Marshall drive and takes it a step further. With extreme distortion capabilities alongside accurate EQ parameters, this pedal means serious business. KEY FEATURES Switchable overdrive and distortion modes. Fully adjustable - volume, gain, bass, treble, contour level and contour frequency controls. 9v input with passive bypass. Robust, solid housing built for years of playing. TECHNICAL SPECIFICATION GENERAL Power -9v Inputs-Input jack: guitar input Outputs - Output jack: signal out/bypass Controls - O/D and dist mode switch, volume/gain control, bass/treble control, contour level/contour frequency DIMENSIONS Width - 120 mm / 4.7" Height - 65 mm / 2.6" Depth -55 mm / 2.2" Weight -0.51 kg / 1 lbs
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Mustang GTX is a better, bolder guitar amp with an unprecedented feature set and unbeatable performance. A wide selection of accurate and versatile amp models, dozens of effects and 200 onboard presets give you the guitar tones you need for almost any type of music. Modular signal path flexibility lets you move effects anywhere in the chain, while the crisp full-color display lets you know whats going on under the hood. Connect with Bluetooth to experience the all-new Fender TONE 3.0 (for iOS and Android), a free app that offers realistic look and feel while you spin the knobs of the most famous amps and effects of all time. You can do deep editing, preset browsing from the Fender Tone community, preset back-up and restore, and more. Bluetooth audio streaming is also included for playing along with your favorite tracks. The amps WiFi capabilities (a Fender exclusive) let you connect for product updates, so your amp keeps getting better.
Mustang GTX 100 offers incredible bang for the buck. The all-new cabinet design is more gig-ready and durable; a new 12-inch Celestion speaker produces strong, powerful response; and the improved amp, speaker and cabinet models ensure that Mustang GTX sounds better than anything else in its class. Stereo XLR line outputs and stereo effects loop let you interface with PA, recording and outboard gear. GTX100 also includes a seven-button footswitch with individual bank up and down functions and easy effects selection, making GTX a true live performance amp. It also unlocks the amps included 60-second looper.
FEATURES
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PRESETS Mustang GTX includes 200 basic and genre-specific presets, giving player access to a wide variety of genres, from country to rock, R&B to metal, pop to jazz. |
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USER INTERFACE The crystal-clear, LCD color display makes it easy to see amp and effect settings at a glance. Add to that the large encoder dial and three soft-touch keys and you have a powerful, intuitive interface that makes it easy to find your sound. |
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WIRELESS Mustang GTXs onboard WiFi capabilities make it easy to add new content to your amp. You can also download presets directly from the Fender cloud with the amp itself, or you can use the Fender Tone 3.0 app on your mobile device. |
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SPEAKERS Mustang GTX 100 incorporates a Celestion Special Design speaker for superior guitar tone. |
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FOOTSWITCH The included GTX-7 7-button footswitch unlocks Mustang GTXs powerful onboard looping capabilities. With up to 60 seconds of record time, the looper is the perfect creative and practice partner. |
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FENDER TONE 3.0 Constantly striving to make life better for musicians, we included the all-new beautiful Fender Tone 3.0 app so that you can explore, modify, backup and |
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the pa700 blends the high sound quality, rich programs, authentic styles, powerful features and ease of localization of previous korg pa series models with some of the best features from the highly acclaimed flagship pa4x to effect a technological marvel and a rich and soulful instrument into one astonishing arranger keyboard. this model features quarter-tone scales for arabic and other music that uses non-western scales.,
korg pa700 oriental arranger workstation available at priyanka musical house with one year warranty, priyanka musical house is an authorized dealer of korg products, this price for korg products shown here is mrp(maximum retail price) call +91-8447445417 to get discounted rates.
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WORLD FAMOUS MUSIC STRINGS1975Queen's Brian May and John Deacon using Rotosound strings1975Country Gold contact core acoustic strings introduced1977JJ Burnel of The Stranglers using RS66LD Swing Bass strings1977Out of the Blue by ELO Features Kelly Groucutt using RS77 Jazz Bass strings1977The Jam using Swing Bass 66 and Gauge Selection guitar stringsTRU BRONZE
Acoustic Brass AlloyThe 80/20 alloy still proving a popular serious alternative to the 92/8 category.
The brass windings guarantee high energy transfer offering a tighter more controlled tone.
Johns thoughts on his strings of choice
In my search for the clearest set of bronze strings, I tried some old Rotosounds in black and red packets that I had somehow managed to hang on to for years. They sounded really good, bright and well balanced but with a rich tone.
The company were amused to hear that anybody should still have strings going so far back but assured me that, several packet designs later, their new strings were still the same quality. Rotosound bass strings have a high profile world-wide which may have overshadowed their guitar strings.
James How, who founded the company in the fifties, engineered a new type of string-winding machine that was a step ahead of the industry and all the strings are produced to the same degree of precision.
In addition to the phospher-bronze round wounds, Rotosound also make guitar strings in the piano string design.
That is with the wrap wire stopping short of the ball end so that a section of the core wire is exposed and only the core wire comes into contact with the saddle. These strings are called Country Gold'.
It is actually an old idea and I have a feeling that the very first steel strings used on the guitar in the 1800s were like that.
The gauges for both types of string are 060 to 018 covered, and 026 to 008 plain.
Please note: w denotes wound string
Product CodeEBGDAE6 String SetsTB10101420w28w40w50w
Musical keyboard instrument.
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Delivery Time : 6
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Packaging Details : box
Delivery Time : 7DAY
