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Wave Bangle

ITEM HGWB501
QUANTITY 1

This print is by far the most famous image in all of Japanese art in the eyes of the world. The majestic curve of the towering wave has inspired hundreds if not thousands of later artists. No other single image so evokes the beauty and terror of nature. The glimpse of the great mountain beyond the curve of the wave is both the perfect finishing touch to the composition and a symbol of hope that the boats will come through safely.Adapted from Katsushika Hokusai's woodblock print series Thirty-six Views of Mount Fuji Museum of Fine Arts, Boston Material: Brass with gold finish and epoxy

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Hokusai White Trees Bangle

ITEM HWTB501
Material: Brass with gold finish and epoxy

This design uses black ink for the outlines instead of blue, making the contrast between the pale pink of the blossoms and the blue of the water and sky all the more striking. Goten-yama, on the outskirts of Edo, was one of the most popular locations in the city for cherry blossom viewing parties, not only because of the beauty of the flowers but because of the spectacular view of the bay behind them and Mount Fuji in the distance.Hokusai White Trees Bangle Aapted from Katsushika Hokusai's woodblock print series Thirty-six Views of Mount Fuji Museum of Fine Arts, Boston Material: Brass with gold finish and epoxy

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Hokusai Red Floral Bangle

Material Brass with gold finish and epoxy
ITEM HRFB501
QUANTITY 1

Hokusai's original wood print from the Edo period (about 1834), was named "Hawfinch and Marvel-of-Peru." As their English name suggests, marvel-of-Peru flowers originated in South America and were brought to Japan by the Dutch. Blossoms of different colors can indeed grow on the same plant, just as Hokusai has drawn them.Adapted from Katsushika Hokusai's woodblock print series Small Flowers Museum of Fine Arts, Boston Material: Brass with gold finish and epoxy

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