·         Five piece drum microphone kit including One Kick drum Microphone and 2 Snare/Tom Drum Microphones and 2 Overhead Microphones/Hi-Hat/Cymbal Microphones

·         Holder with Universal Tapping for balanced and adjustable effect responses from the microphone placement.

1.       Kick Microphone

Ø  Around the beater head (inside drum) for maximum, balanced or soft bass effect.

Ø  Around the speaker cone for emphasized, high-frequency and full, balanced sound

2.       Snare/tom Microphones

Ø   Above the rim of drum head for crispy and punchy sound output

Ø  Above the top of drum head for full, balanced sound output.

Ø  Above the drum head for natural sound output.

3.       Overhead/Hi-Hat/Cymbal Microphones with guitar

Ø  From the sound hole for maximum bass effect

Ø  From the bridge for warm and mellow sound output

Ø  Above the side, over the bridge for natural, well balanced output

4.       Overhead/Hi-Hat/Cymbal Microphones with Drums

Ø  Few inches over the edge for natural Hi-Hat sound output

Ø  Above drummer’s head for natural overhead sound output

·         1 Kick Drum for extremely solid low frequency response

·         2 Drum-rim Microphone Mounts to easily fix the snare microphones with Locking Screws

·         2 Overhead Mics with Stand Clamps for easy arrangement of microphones

·         Kick & Snare Drum Microphones made of Fresh ABS plastic with ferrite magnet in cartridge in metal bawl

·         Foam cover  for dust-proofing of Overhead Microphones

·         Overhead Microphones can be used as guitar microphone

·         A durable lockable carry case with interiors covered with die-cut foam compartments

·         Five piece drum microphone kit including One Kick drum Microphone and 2 Snare/Tom Drum Microphones and 2 Overhead Microphones/Hi-Hat/Cymbal Microphones

·         Holder with Universal Tapping for balanced and adjustable effect responses from the microphone placement.

1.       Kick Microphone

Ø  Around the beater head (inside drum) for maximum, balanced or soft bass effect.

Ø  Around the speaker cone for emphasized, high-frequency and full, balanced sound

2.       Snare/tom Microphones

Ø   Above the rim of drum head for crispy and punchy sound output

Ø  Above the top of drum head for full, balanced sound output.

Ø  Above the drum head for natural sound output.

3.       Overhead/Hi-Hat/Cymbal Microphones with guitar

Ø  From the sound hole for maximum bass effect

Ø  From the bridge for warm and mellow sound output

Ø  Above the side, over the bridge for natural, well balanced output

4.       Overhead/Hi-Hat/Cymbal Microphones with Drums

Ø  Few inches over the edge for natural Hi-Hat sound output

Ø  Above drummer’s head for natural overhead sound output

·         1 Kick Drum for extremely solid low frequency response

·         2 Drum-rim Microphone Mounts to easily fix the snare microphones with Locking Screws

·         2 Overhead Mics with Stand Clamps for easy arrangement of microphones

·         Kick & Snare Drum Microphones made of Fresh ABS plastic with ferrite magnet in cartridge in metal bawl

·         Foam cover  for dust-proofing of Overhead Microphones

·         Overhead Microphones can be used as guitar microphone

·         A durable lockable carry case with interiors covered with die-cut foam compartments